In the way this video is approached there is a defined sense of appreciation for the video as an art form in its won right. That handling is reflected in the showy way that the art house sensibilities come to offer so much. The subtle influence of Warhol and Saul Bass come to work efficiently. That allows the intimate 60 revisionist rhetoric of the tune to be fixed to everything in a procedural way but one that underlines the progressive front of the music. It captures the cinematic fixation of the track dead on and that is admirably brought to bear. This is a very impressive video for the way the visual play their part. The impartial way that it corners the aesthetic leaves a lasting impression and it has a notoriety to it that could become a referential style in its own right in years to come because it has something rather specific that transcends the current status quo in terms of what the output offers.

For more cutting edge music check out the latest issue of Unsigned & Independent


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